"A Jewish Maestra and a Lady too": Reflections on Femininity in the Career of Ethel Stark
DOI :
https://doi.org/10.25071/1916-0925.40146Résumé
Ethel Stark (1910-2012) figure parmi les chefs d’orchestre et les violonistes de concert canadiens les plus importants du XXe siècle. Cet article décrit comment Stark, une femme juive austro-canadienne qui vivait à l’extérieur des contraintes de la domesticité conventionnelle, s’y est prise pour, à la fois, négocier et défier les idéaux du « culte de la véritable féminité » (Cult of True Womanhood), alors qu’elle menait un mouvement féministe dans le domaine de la musique. Nous soutenons que le fait d’avoir été exposé, dans son enfance, aux traditions culturelles juives ayant trait à la justice sociale et à la féminité, a contribué de manière essentielle à l’activisme féministe dans lequel elle s’est engagée plus tard dans sa vie, en particulier lors de la fondation de l’Orchestre symphonique des femmes de Montréal (1940).
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