The Israel Pavilion for the 1967 International and Universal Exposition in Montreal

Adolfo Roitman, The history, architecture, and symbolism of the Shrine of the Book (Tel Aviv: Israel Museum, 1997).

Alan Colquhoun, “Postmodernism and Structuralism: A retrospective glance”, Assemblage Issue no. 5 (1988): 7-15. DOI: https://doi.org/10.2307/3171022

Arieh Sharon, “Planning in Israel”, Town Planning Review, Issue no.23.1 (1952): 66. DOI: https://doi.org/10.3828/tpr.23.1.f21k34115n840409

Arieh Sharon, “The Architectural Concept”, Azrieli Architectural Archive: Arieh Sharon Collection (965000000532_10_33_009) page 2.

Arieh Sharon’s Kibbutz+Bauhaus: Arieh Sharon, the Way of an Architect (Tel Aviv: Mifalim Universitaim, 1978). DOI: https://doi.org/10.1179/033443578791139913

Arieh Sharon’s Kibbutz+Bauhaus: Hospitals in Israel and the Developing Countries. (Jerusalem: Weidenfeld and Nicolson, 1972).

Avigdor Posèq, Igael Tumarkin: A Study of His Imagery (Jerusalem: Hebrew University of Jerusalem, 2010).

Central Zionist Archive (in Hebrew): http://www.zionistarchives.org.il/AttheCZA/AdditionalArticles/Pages/Reznik.aspx?k=%D7%A8%D7%96%D7%A0%D7%99%D7%A7.

Dan Senor and Saul Singer, Start-up nation: The story of Israel’s economic miracle, (Mc- Clelland & Stewart, 2009).

Eli Ashkenazi, “When Rabin Warned: Israel’s Existence Might Be in Danger”. Walla-News, 4 June, 2015. Available from http://news.walla.co.il/item/2860663.

Frank Malina, Kinetic art: theory and practice: Selections from the journal Leonardo (Dover Publications, 1974).

George Him, The Genesis of the Pavilion, Azrieli Architectural Archive: Arieh Sharon Collection (965000000532_09_33_007), page 5.

Guest book of the Israel Pavilion, Expo ‘67, Azrieli Architectural Archive: Arieh Sharon Collection, (965000000532_09_33_010), page 2.

Haim Yacobi, “The Architecture of Foreign Policy. Israeli Architects in Africa”, Oase Issue no. 82 (2010): 35.

Haim Yacobi,” Architecture, orientalism, and identity: the politics of the Israeli-Built environment”, Israel Studies Issue no. 13.1 (2008): 94-118. DOI: https://doi.org/10.2979/ISR.2008.13.1.94

Inbal Ben Asher Gitler, “Campus Architecture as Nation Building: Israeli Architect Arieh Sharon’s Obafemi Awolowo University Campus, Ile-Ife”, Third World Modernism: Architecture, Development and Identity, Duanfang Lu, Ed., (Oxon: Routledge Publication, 2011), pages 130-140.

Inderbir Singh Riar, Expo ‘67, or the architecture of late modernity (Columbia University, 2014).

Jonathan Massey, “Buckminster Fuller’s cybernetic pastoral: The United States Pavilion at Expo ‘67”, The Journal of Architecture Issue no. 11.4 (2006): 463-483. DOI: https://doi.org/10.1080/13602360601037883

Kenneally, Rhona Richman, and Johanne Sloan, eds. Expo ‘67: Not Just a Souvenir, (Toronto: University of Toronto Press, 2010).

Lawrence Samuel, End of the innocence: The 1964-1965 New York World’s Fair (Syracuse University Press, 2010).

Levi Eshikol to the Knesset, 17 January 1967, available from https://www.knesset.gov.il/review/data/heb/plenum/kns6_170167.pdf.

Oscar Niemeyer and Izabel Murat Burbridge, The Curves of Time: The Memoirs of Oscar Niemeyer (London: Phaidon, 2000).

Rafael Segal, Unit, pattern, site: The space packed architecture of Alfred Neumann, 1949–1968 (Princeton University, 2011).

The Israel Pavilion in the American, Canadian, and British Newspapers, Azrieli Architectural Archive: Arieh Sharon Collection (965000000532_09_33_011), page 2.

Yaacov Yannai, “Israel at Expo ‘67 – Concluding remarks”, Azrieli Architectural Archive: Arieh Sharon Collection (965000000532_09_33_009), page 2.

Zvi Hecker, “The Cube and the Dodecahedron in My Polyhedric Architecture”, Leonardo (1980): 272-275. DOI: https://doi.org/10.2307/1578103